Mirror Mirror: Remixing Snow White

Desiree Dylong, Staff Writer


image courtesy Google images

What will you get when America’s red-headed sweetheart plays an evil queen, a prince gets tied to a tree by dwarfs, and a princess carries a dagger? You get Mirror Mirror, the newest adaptation on the tale of Snow White. Most of us are familiar with Disney’s Snow White and the Seven Dwarfs from 1937. We know the scenario of Snow White biting the poison apple and succumbing to the evil queen’s wicked trick. The ending of the tale, when the handsome prince kisses Snow White and rescues her from a deep sleep, has become embedded in the pop culture stratosphere. Mirror Mirror, which is directed by Tarsem Singh, retains aspects that are reminiscent of the conventional Snow White tale. For instance, there’s the handsome prince, the evil queen, and Snow’s seven companions. However, Mirror Mirror spins a new twist on the ending of the classic tale, which will be left unspoiled.

Once the evil queen, played by Julia Roberts, wishes Snow, played by Lily Collins, to be dead so she can become the most beautiful of all in the world, the princess has no choice but to leave her life at the palace and learn to survive in the woods. Snow then meets the seven dwarves, and with their help she learns to fight, and becomes much bolder than the Snow White that we are all acquainted with. Towards the end of the film, the queen terrorizes the woods in an effort to find Snow. The Prince and the dwarfs attempt to protect the princess, but she objects. Instead she explains how she has read many stories where the end results in the prince saving the princess, but Snow wants to change the ending. With her dagger in tow, she leaves the prince in order to battle the queen and gains the control of her ideal ending.

Along with Mirror Mirror, this summer’s upcoming Snow White and the Huntsman, directed by Rupert Sanders, will offer the audience another perspective on the Snow White tale. However, while the PG rated Mirror Mirror has its comedic moments, and is targeted for younger demographics, Snow White and the Huntsman presents an adaptation geared for adults.

The trailer for Snow White and the Huntsman presents a darker take on the tale. Since it will reach an older demographic, it has the potential to take the classic tale to a completely different level than Mirror Mirror. For instance, although Julia Robert played a queen who was wicked and was consumed by vanity, the character also had her comedic moments such as trying to fit into a corset. Those humorous moments of the queen give viewers a break from her villainous ways. In the trailer for Snow White and the Huntsman, the evil queen, played by Charlize Theron isn’t comedic and appears downright menacing as a clip shows her in a snow covered forest before her black cloak morphs into sinister black crows.

The two films also differ in their approach to Snow White. While Mirror Mirror gives a portrayal of a Snow who is brave enough to save herself, as the film’s younger demographic do not want her behavior to be too audacious or violent; however, the upcoming film with Kristen Stewart presents a more fierce portrayal of Snow White. In preview, Stewart who plays Snow, is dressed similar to a knight as she dons a silver shield and armor. In another instance, Stewart’s character is huddled among an army as they all hold their shields. This version of Snow goes into battle, and faces perilous violence. Snow White and the Huntsman offers a more ferocious side to Snow White that a PG rated film can’t get away with.

While these films may differ in their approaches, they both work to deconstruct the traditional version of the well-known tale. These new versions of Snow White portray strong willed young women who fight and rescue themselves. With these two films, the notion of the helpless female is erased and new perspectives take place. Mirror Mirror and Snow White and the Huntsman’s appeal to different demographics will create the opportunity for both children and adults to view films that present different perspectives on conventional norms.