From left to right: drummer Scott Phillips, vocalist Myles Kennedy, lead guitarist Mark Tremonti and bassist Brian Marshall | Photo courtesy of Alter Bridge
From left to right: drummer Scott Phillips, vocalist Myles Kennedy, lead guitarist Mark Tremonti and bassist Brian Marshall | Photo courtesy of Alter Bridge

INTERVIEW: Mark Tremonti talks Walk the Sky, history of Alter Bridge

January 29, 2020

Throughout the band’s 16-year tenure, Alter Bridge–the Florida hard rock phoenix born from the remnants of Creed–has stood at the forefront of rock n’ roll, valiantly defending the principles that propelled guitar-driven rock to the top of nearly every chart during the genre’s golden era. Led by vocalist Myles Kennedy’s crescendoing vocals and lead guitarist Mark Tremonti’s transcendental guitar solos, Alter Bridge’s modern interpretation of stadium rock continues to both captivate audiences and engrave the Alter Bridge brand into the soul of rock n’ roll. 

On Feb. 14, Alter Bridge will travel to the Apollo Theater AC in Belvidere, Ill. with Clint Lowery of Sevendust and Michigan hard rock sextet Deepfall playing in support. As Chicagoland attendees of the band’s Oct. 10 performance at the Chicago Theater can attest to, concertgoers can expect Kennedy to exercise his full vocal range while enchanting listeners with tantalizing melodies. Attendees can also anticipate Tremonti navigating the fretboard with an educated precision, his contorted facial expressions conceding to a satisfied smirk after each number. And while the creative synergy between Kennedy and Tremonti often assumes center stage, drummer Scott Phillips capably guides the rhythm from the back of the stage as bassist Brian Marshall enthusiastically engages with fans. 

Mark Tremonti performing at the Chicago Theater | Photo by: Matthew Rago

Nevertheless, despite a successful first leg of Alter Bridge’s ongoing “Walk the Sky” tour, Tremonti hints at a departure from Alter Bridge’s identity as traditionalist live performers. While explosive solos, reverberating riffs and soulful vocals remain the focal point of the band’s live performances, Tremonti credits bands such as Gojira with fueling Alter Bridge’s decision to enhance the production elements of their demonstrations. 

“We almost look at production nowadays like, ‘What would Gojira do?’” laughed Tremonti. “They’ve got a nice, big, awesome production. Just the light and the class. One thing we’re trying to do is constantly up our game when it comes to the presentation of our live shows.” 

Further emphasizing production value runs parallel to creative and thematic directions of Alter Bridge’s latest album, Walk the Sky. Arguably the most anticipated rock album of 2019, the 14-song collection is an electrifying display of Alter Bridge’s artistic evolution. 

Operating as a response to the band’s third studio album, ABIII, Walk the Sky–-the band’s first chart-topping effort–-negotiates a variety of themes, ranging from the defense of one’s own self-perception to the importance of valuing the present. Consistent with Alter Bridge’s ever-evolving musicianship, Walk the Sky complements the band’s trademark riffs with a greater emphasis on synthesizer and keyboards, providing listeners with a new layer of Alter Bridge to explore. 

While the album deviates away from the dark undertones of Blackbird and ABIII, Walk the Sky still features the earth-shattering riffs and harmonized melodies that define the Alter Bridge catalogue. Offering an unabridged account of Kennedy’s ascension from the grips of spiritual uncertainty to the self-assured frontman he is today, the chart-topping effort confronts many of the intrapersonal challenges listeners may encounter on a daily basis.

According to Tremonti, Walk the Sky serves as a natural conclusion to the dark themes introduced in ABIII

ABIII was a very dark record about lack of faith and lack of hope,” said Tremonti. “There were songs like ‘Life Must Go On’ that still were a sadder number, but [Walk the Sky] is more about finding peace and zen and almost just a freedom and inner piece kind of thing.” 

Tremonti highlights “Godspeed,” written in honor of the recently departed Seth Luker, as his favorite song on Walk the Sky. According to Tremonti, the lyricism in “Godspeed” operates as an organic projection of the conflicting emotions he wrestled with following Luker’s passing. However, while “Godspeed” tackles the internal dilemmas accompanying loss, Tremonti states that he wrote the song as a celebratory tribute to the value of friendship. 

“Whatever is currently going on in your life spills over into your lyrical content and it kind of just came out,” said Tremonti. “‘Farewell, godspeed, goodbye’ just came out in that chorus. We didn’t want to make it a sad song or a song about a loss. We wanted it to be more a celebration of his life, more of an uplifting song.” 

In addition to uplifting themes complementing Alter Bridge’s traditionally darker songwriting undertones, the band’s trademark instrumentals operate as a foundation for the album. 

As a guitarist and songwriter, Tremonti became synonymous with the guitar solo. Seemingly capable of manufacturing a blistering solo out of thin air, Tremonti’s meticulous attention to detail allows him to routinely reinvent his brand of rock, as evidenced by the galvanic guitar solos featured on “A Dying Light” and “Take the Crown.” 

“I like to make a guitar solo a song within a song,” said Tremonti. “I like to be aware of the chord changes and vocal melodies that already happened in the song to see if I can bring a familiarity into that solo. When people hear it, it kind of reinforces the melody, tells a little story I’m telling.” 

According to Tremonti, his time in Alter Bridge (and later his namesake band, Tremonti) afforded him the opportunity to evolve as a songwriter. While his time with Creed earned him initial notoriety, Tremonti states that he was still in the embryonic stages of establishing his own identity. 

Since Alter Bridge’s inception in 2004, Tremonti credits his progression from what he describes as an “average” guitar player to one of the most celebrated guitarists in rock n’ roll history to his appreciation for melodies and music theory. 

“With Creed, I felt like I was a kid,” said Tremonti. “I wasn’t as proficient on the instrument; I was learning and experimenting. Melodies were the most important thing to me from day one, so it’s just being a decent guitar player back in the Creed days to being a better guitar player, but still having that melodic sensibility. Writing melodies is something I’ve always felt really good about since day one.”

While Tremonti is renowned for his seldom-paralleled speed and mechanical precision, he is also celebrated as an unsung hero of modern songwriting, fusing the acceleration of metal with the intricacies of hard rock. 

“When people consider me a guitar player, I get really upset,” explained Tremonti. “I’m not just a guitar player, I’m a songwriter. That’s what I put most of my time into. It’s my biggest joy as a musician.” 

From left to right: guitarist Mark Tremonti, bassist Brian Marshall, drummer Scott Phillips and vocalist Myles Kennedy

 

Tremonti’s maturation as a songwriter has been reflected by each of his professional endeavors, In 2015, Ultimate-Guitar.com voted Tremonti and Kennedy’s dueling instrumentals on “Blackbird” as the greatest guitar solo of all time, earning the honor ahead of Pink Floyd’s “Comfortably Numb”, Led Zeppelin’s “Stairway to Heaven” and Guns N’ Roses’ “November Rain.” 

However, despite emerging as a pillar of the rock n’ roll scene, the perception of imitation once burdened Alter Bridge. Tremonti says the challenges that accompanied distinguishing the Alter Bridge brand from Creed were daunting. With Creed on the brink of dissolution during their peak in 2004, it became imperative for the remaining members of Creed to navigate a distinct creative avenue. 

Kennedy, who Tremonti refers to as the “greatest vocalist in rock,” represented the band’s deviation from Creed. According to Tremonti, it wasn’t until ABIII that Alter Bridge flourished under their own umbrella. 

“That was probably one of the biggest professional challenges we’ve ever had,” said Tremonti. “When we started Alter Bridge, everyone said it was the guys from Creed with a different singer, that it was pretty much ‘Creed part two.’ But if you look at the moves we made, we found a singer that sounded as far different from Scott [Stapp, former Creed vocalist] as we could just so we could do something different.” 

Tremonti continued: “[Kennedy] is probably one of, if not the most, dedicated to his craft in how to sing correctly and how to work on it… We both do this because we love it. I play guitar in my down time. But that’s my job. My job is my hobby and my hobby is my passion. So Myles and I both follow the same lifestyle.” 

With arguably one of the most recognizable vocalists and songwriters of rock n’ roll’s modern era, Alter Bridge remains one of the few can’t-miss performances in music today. However, despite their legacy as titans of the genre, Tremonti hopes fans remember Alter Bridge for offering refuge from personal plights. 

“Not many people have been given the opportunity to do what we’ve been able to do all these years, so I take it very seriously. As far as Alter Bridge, I’d love it to be remembered for what it’s meant to people’s lives.”

Walk the Sky tour 2020 dates:

1-31 – Lake Charles, La. – Golden Nugget Casino *
2-1 – 2-6 – Shiprocked
2-8 – Nashville, Tenn. – War Memorial Auditorium
2-9 – Indianapolis, Ind. – Egyptian Room at Old National Center
2-11 – Huntsville, Ala.– Mars Music Hall
2-12 – Fort Wayne, Ind. – Clyde Theatre
2-14 – Belvidere, Ill. – The Apollo Theatre AC
2-15 – Milwaukee, Wis.– The Rave
2-17 – Denver, Colo. – Ogden Theatre
2-18 – Salt Lake City, Utah – The Depot
2-20 – Las Vegas, Nev. – House of Blues
2-21 – Lake Tahoe, Nev – Montbleu Resort
2-23 – San Francisco, Calif – The Regency Ballroom
2-24 – Los Angeles, Calif. – The Wiltern
2-26 – Seattle, Wash. – Moore Theatre
2-27 – Spokane, Wash.– Knitting Factory

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